WATER-VERSE

This body of work is a tribute to the spirit of Water - its qualities of fluidity, power and memory and its uncanny ability as a medium to express human consciousness. Water-Verse is a culmination of a ten-year engagement with water, river clay and burnt plant material. The exhibition gathers together paintings, performances, and process-based works where water has been both medium and teacher. Combining natural pigments with water gives form to a substance which is mostly transparent and invisible. In my paintings water joins me to animate river clay, ash, soot and ochre and its character becomes traceable. What we might call ‘paint’ could be described as a combination of matter where water becomes a vehicle that gives form to my emotions, moods and thoughts and thus the formless takes form. Water participates in the making and then disappears as it evaporates leaving the pigment in place.

The exhibition tells a story of my evolving relationship with water. It unfolds in a loose chronology, mapping my dialogue with water and clay across time and place.

TITLE

After The Rain: Mozambique

Medium

River Clay and Burnt Plant material on canvas

Size

140 x 240 cm

Year

2025

Series

Water-Verse

TITLE

Memory Of A Flood: Malawi

Medium

River Clay and Burnt Cow Dung on canvas

Size

150 x 220 cm

Year

2025

Series

Water-Verse

TITLE

What Remains: Limpopo

Medium

River Clay and Burnt Cow Dung on canvas

Size

150 x 220cm

Year

2025

Series

Water-Verse

TITLE

After The Flood: Silence

Medium

River Clay on canvas

Size

150 x 220 cm

Year

2025

Series

Water-Verse

TITLE

What Does It Look Like When I Return?

Medium

River Clay and Burnt Cow Dung on canvas

Size

164 x164 cm

Year

2025

Series

Water-Verse

TITLE

What Does It look Like When I Return? 3

Medium

River Clay and Burnt Cow Dung on canvas

Size

164 x 82 cm

Year

2025

Series

Water-Verse

TITLE

I Am Listening

Medium

River Clay and Burnt Plant material on canvas

Size

115 x 85 cm

Year

2025

Series

Water-Verse

TITLE

How Does Release Take Form?

Medium

River Clay and BurntCow Dung on canvas

Size

115 x 85 cm

Year

2025

Series

Water-Verse

TITLE

What Would You like To Be?

Medium

River Clay and Burnt Cow Dung on canvas

Size

115 x 85 cm

Year

2025

Series

Water-Verse

TITLE

The First River

Medium

Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas

Size

135 x 180 cm

Year

2025

Series

Water-Verse

TITLE

Eerste River -Dawn

Medium

Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas

Size

135 x 180 cm

Year

2025

Series

Water-Verse

TITLE

Eerste River -Dusk

Medium

Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas

Size

135 x 180 cm

Year

2025

Series

Water-Verse

FLOOD

Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.

The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.

TITLE

Flood: Breede River Valley

Medium

River Clay and Burnt Plant material on canvas

Size

170 x 400 cm

Year

2025

Series

Flood

TITLE

Flood: Beeson, UK1

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2024

Series

Flood

TITLE

Flood: Beeson, UK2

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2024

Series

Flood

TITLE

Flood: Beeson, UK3

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2024

Series

Flood

TITLE

Malawi III

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 120 cm

Year

2023

Series

Flood

TITLE

Malawi I

Medium

Burnt Plant material on canvas

Size

100 x 200 cm

Year

2023

Series

Flood

TITLE

Kimberley, Australia I

Medium

River Clay and Burnt Plant material on canvas

Size

90 x 180 cm

Year

2023

Series

Flood

TITLE

Missisippi Delta I

Medium

River Clay and Burnt Plant material on canvas

Size

40 x 60 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece III

Medium

River Clay and Burnt Plant material on canvas

Size

85 x 115 cm

Year

2023

Series

Flood

TITLE

Huger, South Carolina

Medium

River Clay and Burnt Plant material on canvas

Size

80 x 100 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece I

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TITLE

Thessaly, Greece II

Medium

River Clay and Burnt Plant material on canvas

Size

45 x 120 cm

Year

2023

Series

Flood

TSODILO HILLS

This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.

TITLE

Diwe dyo Durume

Medium

Tsodilo Pigments on canvas

Size

150 x 220 cm

Year

2023

Series

Tsodilo Hills

Raaswater

In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.

TITLE

Raaswater (Panel I)

Medium

River Clay on board

Size

115 x 220 cm

Year

2014

Series

Spore

spoorloos

The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.  

Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting.For more about this exhibition, visit my blog.

TITLE

Tankwa

Medium

River Clay, Cow Dung and Burnt Plant Material on Hemp

Size

110 x 165 cm

Year

2021

Series

Spoorloos

TITLE

Die Hart van Dagbreek

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Tankwa Dawn

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Stillness

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Lugspieeling

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Watergees

Medium

Ochre and Burnt Plant Material on Canvas

Size

115 x 85 cm

Year

2021

Series

Spoorloos

TITLE

Aarde

Medium

Ochre and Burnt Plant Material on Canvas

Size

100 x 100 cm

Year

2021

Series

Spoorloos

TITLE

Mochudi Botswana

Medium

Ant Hill Clay on Cotton

Size

77 x 133 cm

Year

2021

Series

Spoorloos