WATER-VERSE
This body of work is a tribute to the spirit of Water - its qualities of fluidity, power and memory and its uncanny ability as a medium to express human consciousness. Water-Verse is a culmination of a ten-year engagement with water, river clay and burnt plant material. The exhibition gathers together paintings, performances, and process-based works where water has been both medium and teacher. Combining natural pigments with water gives form to a substance which is mostly transparent and invisible. In my paintings water joins me to animate river clay, ash, soot and ochre and its character becomes traceable. What we might call ‘paint’ could be described as a combination of matter where water becomes a vehicle that gives form to my emotions, moods and thoughts and thus the formless takes form. Water participates in the making and then disappears as it evaporates leaving the pigment in place.
The exhibition tells a story of my evolving relationship with water. It unfolds in a loose chronology, mapping my dialogue with water and clay across time and place.
TITLE
After The Rain: Mozambique
Medium
River Clay and Burnt Plant material on canvas
Size
140 x 240 cm
Year
2025
Series
Water-Verse
TITLE
Memory Of A Flood: Malawi
Medium
River Clay and Burnt Cow Dung on canvas
Size
150 x 220 cm
Year
2025
Series
Water-Verse
TITLE
What Remains: Limpopo
Medium
River Clay and Burnt Cow Dung on canvas
Size
150 x 220cm
Year
2025
Series
Water-Verse
TITLE
After The Flood: Silence
Medium
River Clay on canvas
Size
150 x 220 cm
Year
2025
Series
Water-Verse

TITLE
What Does It Look Like When I Return?
Medium
River Clay and Burnt Cow Dung on canvas
Size
164 x164 cm
Year
2025
Series
Water-Verse

TITLE
What Does It look Like When I Return? 3
Medium
River Clay and Burnt Cow Dung on canvas
Size
164 x 82 cm
Year
2025
Series
Water-Verse

TITLE
I Am Listening
Medium
River Clay and Burnt Plant material on canvas
Size
115 x 85 cm
Year
2025
Series
Water-Verse

TITLE
How Does Release Take Form?
Medium
River Clay and BurntCow Dung on canvas
Size
115 x 85 cm
Year
2025
Series
Water-Verse

TITLE
What Would You like To Be?
Medium
River Clay and Burnt Cow Dung on canvas
Size
115 x 85 cm
Year
2025
Series
Water-Verse

TITLE
The First River
Medium
Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas
Size
135 x 180 cm
Year
2025
Series
Water-Verse

TITLE
Eerste River -Dawn
Medium
Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas
Size
135 x 180 cm
Year
2025
Series
Water-Verse

TITLE
Eerste River -Dusk
Medium
Spier Ochre and Burnt Cow Dung with Eerste River Water on canvas
Size
135 x 180 cm
Year
2025
Series
Water-Verse
FLOOD
Floods are rapidly becoming a part of our currently reality. When cyclone Freddy hit Malawi in 2023 and I experienced the distress it caused, I started to track flooding across the globe. Water is a powerful substance with the capacity to transform a place unrecognisably. In the aftermath of its raging, settled water has the ability to dissolve sound. It is this quality of stillness after a catastrophe that I found most compelling about floods. For me these moments are steeped with beauty and with grief; with immense awe and the devastation of loss.
The paintings in this series are made with river clay that I collected in Worcester (South Africa) where my maternal ancestry farmed. It is a substance that I know intimately and that has much meaning for me. My choice of burnt plant material has a long history in my practice. It stems from my work with indigenous fynbos of the Cape which has to burn in order to propagate. Thus, like the phoenix rising from the ashes, burnt plant material represents hope and rebirth in my work.

TITLE
Flood: Breede River Valley
Medium
River Clay and Burnt Plant material on canvas
Size
170 x 400 cm
Year
2025
Series
Flood

TITLE
Flood: Beeson, UK1
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2024
Series
Flood

TITLE
Flood: Beeson, UK2
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2024
Series
Flood

TITLE
Flood: Beeson, UK3
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2024
Series
Flood

TITLE
Malawi III
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 120 cm
Year
2023
Series
Flood

TITLE
Malawi I
Medium
Burnt Plant material on canvas
Size
100 x 200 cm
Year
2023
Series
Flood

TITLE
Kimberley, Australia I
Medium
River Clay and Burnt Plant material on canvas
Size
90 x 180 cm
Year
2023
Series
Flood

TITLE
Missisippi Delta I
Medium
River Clay and Burnt Plant material on canvas
Size
40 x 60 cm
Year
2023
Series
Flood

TITLE
Thessaly, Greece III
Medium
River Clay and Burnt Plant material on canvas
Size
85 x 115 cm
Year
2023
Series
Flood

TITLE
Huger, South Carolina
Medium
River Clay and Burnt Plant material on canvas
Size
80 x 100 cm
Year
2023
Series
Flood

TITLE
Thessaly, Greece I
Medium
River Clay and Burnt Plant material on canvas
Size
45 x 120 cm
Year
2023
Series
Flood

TSODILO HILLS
This is a very special piece created from materials collected at Tsodilo Hills, a sacred site in the North of Botswana that I visited in 2023. Tsodilo is considered one of the most powerful sites in Southern Africa. I obtained permission from one of the keepers of the site to collect materials and make this portrait of ‘Diwe dyo Durume’ or the Male Hill at Tsodilo. This hill forms part of a collection of hills at the site named the male, the female and the child.

TITLE
Diwe dyo Durume
Medium
Tsodilo Pigments on canvas
Size
150 x 220 cm
Year
2023
Series
Tsodilo Hills
Raaswater
In 2014, I began working with river clay found on a smallholding where my maternal ancestors farmed with export grapes in the 1950s. My grandmother named the place Raaswater, an Afrikaans word describing the raging sound of the river that used to flow through the property. Today this river is polluted and runs dry in summer months. My question was could I together with the clay create a visual way to ‘re-sound’ the now silent river? This is a painting made with the river clay that answered that question. The story about this journey is in my blog.

TITLE
Raaswater (Panel I)
Medium
River Clay on board
Size
115 x 220 cm
Year
2014
Series
Spore
spoorloos
The primary inspiration for this body of work originated in an artist’s residency in the vast, desolate Tankwa Karoo Desert which is located in the Western Cape of South Africa. This is a landscape covered in black stone, with very little vegetation, only a slight undulation in the typography and an experience of a vast expanse of space. The emptiness, the lack of reference points and the lack of containment forces one to face oneself on very deep levels.
Thus this body of work consists of various existential interpretations of my inner state and the sublime in landscape painting.For more about this exhibition, visit my blog.

TITLE
Tankwa
Medium
River Clay, Cow Dung and Burnt Plant Material on Hemp
Size
110 x 165 cm
Year
2021
Series
Spoorloos

TITLE
Die Hart van Dagbreek
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos

TITLE
Tankwa Dawn
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos

TITLE
Stillness
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos

TITLE
Lugspieeling
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos

TITLE
Watergees
Medium
Ochre and Burnt Plant Material on Canvas
Size
115 x 85 cm
Year
2021
Series
Spoorloos

TITLE
Aarde
Medium
Ochre and Burnt Plant Material on Canvas
Size
100 x 100 cm
Year
2021
Series
Spoorloos

TITLE
Mochudi Botswana
Medium
Ant Hill Clay on Cotton
Size
77 x 133 cm
Year
2021
Series
Spoorloos



